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Pesellino and Workshop, Seven Liberal Arts, c. 1450, Birmingham Museum of Art, K540

Pesellino and Workshop, Seven Liberal Arts, c. 1450, Birmingham Museum of Art, K540

 

As part of their training, students undertake a complete reconstruction of a painting from the Kress Collection on which they have done a thorough technical study, and preferably treated. These reconstructions allow the student to gain intimate knowledge of an artist’s technique, materials, and workshop production. As the project unfolds, many observations and inferences, obtained through technical analysis, are put to the test. In doing so, the students achieve a more sophisticated and nuanced understanding about the original appearance of the artwork, and often stumble upon unforeseen insights into the artist's processes, interests, and influences.

 

Browse select illustrated reports:

Reconstruction
2019-2020

Francesco Bassano, The Adoration of the Shepherds

Late sixteenth-century Italian painting materials and techniques ~ by Emma Kimmel
Francesco Bassano, The Adoration of the Shepherds

Students conduct treatment, close observation, and full technical study of the painting before beginning the reconstruction to gain an intimate understanding of an artist’s techniques. The original artwork is available for reference during the entire process. Historically accurate artists' materials are used, some of which are made in the studio.

View of the artwork and in-progress reconstruction, along with printouts of technical imaging
Image credit: Kristin Holder
Containers of historically accurate artist materials
Image credit: Emma Kimmel
lump of slaked paster of paris, during the making of gesso sottile cakes
Image credit: Kristin Holder
During reconstruction of Francesco Bassano's Adoration of the Shepherds, showing the transfer of the design
Image credit: Emma Kimmel